“Nasoyim ul-muhabbat”da Xoja Muhammad Porso va Xoja Ubaydulloh Ahror zikri
Keywords:
pir, murshid, khush dar dam, nazar bar qadam, safar dar vatan, khilvat dar anjuman, yod kard, bozgasht, nigohdosht, yoddosht, vuqufi zamoniy, vuqufi adadiy – being aware of numbers, vuqufi qalbiy, zikr, tawhid, wahdat al-wujud, spiritual birth.Abstract
Abstract
The style of a work is created based on the author’s goals and
thoughts at any given time. When we assess the works from the time of
Navoi, specifically literary samples belonging to the 15th-16th centuries,
and categorize them as belonging to a single era’s style, we approach the
issue unilaterally. Indeed, each of the works created by Navoi possesses
its own style. The author can elevate to the level of a main character, but
the differences in word usage and the expression of attitudes towards
surrounding events reveal their stylistic distinctiveness. For example, there
is a noticeable difference between the style of brief and concise expression
of events in historical works and the emotionality found in elegies. Thus,
the concept of «author’s style» has a general aspect, but it also divides into
specific directions, indicating that each creative work has its own style and
that even within a single work, there may be different stylistic features
present. In this respect, the chapters about Khoja Muhammad Porso
and Khoja Ubaydulloh Ahror in the «Nasoyim ul-Muhabbat» also exhibit
stylistic peculiarities, one of which could be considered the expression
of Sufi ideas. This article comparatively analyzes the incorporation of
Naqshbandi principles in these chapters and highlights the places where
Sufi ideas are advanced.
